Ç÷η»½º ÇÐÆÄ(The Florentine painters)
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The majority of the painters of the Quattrocento - Florentines.
(1) Masaccio ´ëÇ¥ÀÛ °¶·¯¸® ¸¶»çÄ¡¿À ½½¶óÀ̵å
Masaccio-27¼¼¿¡ Á×¾úÀ¸³ª 100³â µ¿¾È Italy Ȱ¡µé¿¡°Ô ¿µÇâÀ» ³¢Ä§. the fist of the realists in Renaissance art, he introduced an element of universality into his work ±×ÀÇ ÀÛǰ- dealt not with specific themes but with the single emotions common to mankind in all ages. ÇൿÀÇ ÅëÀϼº ¸í¾ÏÀ» »ç¿ëÇÏ¿© ÀÔü°¨À» Ç¥Çö ½Ã°¢ÀûÀÎ Á¶Çü¿ø¸®¿Í Á¶ÇüÁ¤½Å-½Ã°¢ÀûÀÎ ¹æÇâ¿¡¼ °Á¶µÊ.
(2) Fra Lippo Lippi ´ëÇ¥ÀÛ ÇÁ¶ó ¸®Æ÷ ¸®ÇÇ ½½¶óÀ̵å his painting - human appeal. For his portraits of saints and madonas he chose as models the ordinary men and women of the city of Florence. Christ child as a lusty infant. His chief contribution to painting was a tradition of psychological analysis. He seems to have been the first to have made the face the mirror of the soul. |