15세기 이탈리아 르네상스 회화(Painting in the Quattrocento  갤러리)

<종교의 시녀로부터 독립된 미술>      

     Not until the 15th C, that Italian Renaissance painting really attained its majority.  By this time the increase in wealth and the partial triumph of the secular spirit had freed  the domain of art to a larger extent from the service of religion.

    The church was no longer the only patron of artists.

    While subject matter from Biblical history was still commonly employed,

          it was frequently infused with non religious themes.

 <유화의 도입>                                                            프레스코   탬페라

      The Quattrocento was characterised also by the introdution of painting in oil, probably from Flanders. The use of new technique doubtless had much to do with  the artistic advance of this period.  Since oil does not dry so quickly as water, the painter could now work more leisurely, taking his time with the more difficult parts of the picture and making corrections if necessary.

<현실적인 자연에 대한 관찰과 해석>

        -> 회화 속에 새로운 현실성을 불어 넣게 됨

                       - 공간 묘사       중세 - 상징적인 공간

                                               15세기 - 현실적 공간 감각

               현실에 대한 예술가들의 관점은

                        주관에 대립되는 객관적인 세계에 두고

                         주관과의 연관성 속에 파악토록 함

                                  --- 遠近法

                                            관찰자의 주관의 작용에 의한 현상 세계 파악의 한  방법

                                             과학적인 자연 인식의 한 방법

                                             축소법의 정확한 형성

               이상적인 인간상 - 나체상

               세속성 - 고대화된 신화, 전설, 역사 등의소재